“Powerfully and persuasively . . . Gibson tells us why we were in Vietnam . . . a work of daring brilliance—an eye-opening chronicle of waste and self-delusion.” —Robert Olen Butler In this groundbreaking book, James William Gibson shatters the misled assumptions behind both liberal and conservative explanations for America’s failure in Vietnam. Gibson shows how American government and military officials developed a disturbingly limited concept of war—what he calls “technowar”—in which all efforts were focused on maximizing the enemy’s body count, regardless of the means. Consumed by a blind faith in the technology of destruction, American leaders failed to take into account their enemy’s highly effective guerrilla tactics. Indeed, technowar proved woefully inapplicable to the actual political and military strategies used by the Vietnamese, and Gibson reveals how US officials consistently falsified military records to preserve the illusion that their approach would prevail. Gibson was one of the first historians to question the fundamental assumptions behind American policy, and The Perfect War is a brilliant reassessment of the war—now republished with a new introduction by the author. “This book towers above all that has been written to date on Vietnam.” —LA Weekly
Emperor's World" is the story a stallion and a herd of mares that he rustled from ranches in Colorado. He leads his herd up into the rugged mountain valleys of western Colorado. The herd affects many people who come into contact with the horses. An old Indian eventually affects all the peoples' lives even more profoundly than the horses. Three young couples, and their parents' lives, are followed as the youngsters mature from teenagers to adulthood all affected by the horses in the hills. There are light and happy moments during their carefree years as well as more serious consequences. One girl miraculously recovers from a near death accident. Th e Angel that brought the miracle had also had contact with the herd. A kidnapping and a murder are also caused by the herd of horses' presence. This crime leads to an investigation that has several unexpected turns. A dangerous high speed pursuit leads to the end of the criminal acts and a tragedy for two families. "Emperor's World" has two parallel paths. One tells about the horses and their lives up in the mountains. The second path is about all the people involved. The story mergers the two paths into one. "Emperor's World" is an entertaining and easy read. Th e story orchestrates all the human emotions; love, hate, greed, happiness, with large choruses of humor, smiles, and tears.
Mind Shadows is the story of Willis Taylor, an American air ace, who is shot down over Holland. He lost all memory of his past life when he struck his head on a tree limb. He was rescued and hidden from the Germans by the Dutch underground. He assumed the name and identification of Hans DeBrinker. Many years later a friend from his air combat days accidentally found Willis is alive and is living in Holland. Lee and his wife Betty visit Amsterdam to confront Willis. He did not recognize them but a new friendship is forged. Lee becomes Willis' secret conduit of information about the Taylor family in Florida. The story follows Willis as he searches for his past life and builds a new life in Holland. When the two eventually collide there are some highly stressful and emotional events. On one occasion a disguised Willis and his American family are together in a hospital waiting room. He is aware of their family connections but they do not recognize him. They believe he died in the War.
Emperor's World" is the story a stallion and a herd of mares that he rustled from ranches in Colorado. He leads his herd up into the rugged mountain valleys of western Colorado. The herd affects many people who come into contact with the horses. An old Indian eventually affects all the peoples' lives even more profoundly than the horses. Three young couples, and their parents' lives, are followed as the youngsters mature from teenagers to adulthood all affected by the horses in the hills. There are light and happy moments during their carefree years as well as more serious consequences. One girl miraculously recovers from a near death accident. Th e Angel that brought the miracle had also had contact with the herd. A kidnapping and a murder are also caused by the herd of horses' presence. This crime leads to an investigation that has several unexpected turns. A dangerous high speed pursuit leads to the end of the criminal acts and a tragedy for two families. "Emperor's World" has two parallel paths. One tells about the horses and their lives up in the mountains. The second path is about all the people involved. The story mergers the two paths into one. "Emperor's World" is an entertaining and easy read. Th e story orchestrates all the human emotions; love, hate, greed, happiness, with large choruses of humor, smiles, and tears.
The idea of the long eighteenth century (1660-1832) as a period in which religious and political dissent were regarded as antecedents of the Enlightenment has recently been advanced by several scholars. The purpose of this collection is further to explore these connections between religious and political dissent in Enlightenment Britain. Addressing the many and rich connections between political and religious dissent in the long eighteenth century, the volume also acknowledges the work of Professor James E. Bradley in stimulating interest in these issues among scholars. Contributors engage directly with ideas of secularism, radicalism, religious and political dissent and their connections with the Enlightenment, or Enlightenments, together with other important themes including the connections between religious toleration and the rise of the 'enlightenments'. Contributors also address issues of modernity and the ways in which a 'modern' society can draw its inspiration from both religion and secularity, as well as engaging with the seventeenth-century idea of the synthesis of religion and politics and its evolution into a system in which religion and politics were interdependent but separate. Offering a broadly-conceived interpretation of current research from a more comprehensive perspective than is often the case, the historiographical implications of this collection are significant for the development of ideas of the nature of the Enlightenment and for the nature of religion, society and politics in the eighteenth century. By bringing together historians of politics, religion, ideas and society to engage with the central theme of the volume, the collection provides a forum for leading scholars to engage with a significant theme in British history in the 'long eighteenth century'.
In this second collection of recent articles (the first was Solid Fool's Gold), groundbreaking sabermetrician and baseball historian Bill James takes his unique way of looking at the world and applies it to topics as diverse as the major league players who went out on top, whether ground ball pitchers are as good (or as bad) as people think, do hitters like Yasiel Puig have hot hand streaks (they do) and why (that's a different question), and do teams have tough stretches and soft patches in their schedules (they do) and how to mention them. Along the way, James takes several detours to discuss his views on classical music, fiction versus non-fiction, keeping will animals in captivity, conservatives and liberals, and several other things that interest or offend him. He even includes a couple of his favorite old baseball stories and a new way to summarize something's or someone's history in exactly 10-25-50-100-200-500 words.
Mind Shadows is the story of Willis Taylor, an American air ace, who is shot down over Holland. He lost all memory of his past life when he struck his head on a tree limb. He was rescued and hidden from the Germans by the Dutch underground. He assumed the name and identification of Hans DeBrinker. Many years later a friend from his air combat days accidentally found Willis is alive and is living in Holland. Lee and his wife Betty visit Amsterdam to confront Willis. He did not recognize them but a new friendship is forged. Lee becomes Willis' secret conduit of information about the Taylor family in Florida. The story follows Willis as he searches for his past life and builds a new life in Holland. When the two eventually collide there are some highly stressful and emotional events. On one occasion a disguised Willis and his American family are together in a hospital waiting room. He is aware of their family connections but they do not recognize him. They believe he died in the War.
This is one of the most important baseball books to be published in a long time, taking a comprehensive look at black participation in the national pastime from 1858 through 1900. It provides team rosters and team histories, player biographies, a list of umpires and games they officiated and information on team managers and team secretaries. Well known organizations like the Washington's Mutuals, Philadelphia Pythians, Chicago Uniques, St. Louis Black Stockings, Cuban Giants and Chicago Unions are documented, as well as lesser known teams like the Wilmington Mutuals, Newton Black Stockings, San Francisco Enterprise, Dallas Black Stockings, Galveston Flyaways, Louisville Brotherhoods and Helena Pastimes. Player biographies trace their connections between teams across the country. Essays frame the biographies, discussing the social and cultural events that shaped black baseball. Waiters and barbers formed the earliest organized clubs and developed local, regional and national circuits. Some players belonged to both white and colored clubs, and some umpires officiated colored, white and interracial matches. High schools nurtured young players and transformed them into powerhouse teams, like Cincinnati's Vigilant Base Ball Club. A special essay covers visual representations of black baseball and the artists who created them, including colored artists of color who were also baseballists.
Arthur Penn: American Director is the comprehensive biography of one of the twentieth century's most influential filmmakers. Thematic chapters lucidly convey the story of Penn's life and career, as well as pertinent events in the history of American film, theater, and television. In the process of tracing the full spectrum of his career, Arthur Penn reveals the enormous scope of Penn's talent and his profound impact on the entertainment industry in an accessible, engaging account of the well-known director's life. Born in 1922 to a family of Philadelphia immigrants, the young Penn was bright but aimless -- especially compared to his talented older brother Irving, who would later become a world-renowned photographer. Penn drifted into directing, but he soon mastered the craft in three mediums: television, Broadway, and motion pictures. By the time he made Bonnie and Clyde (1967), Penn was already a Tony-winning Broadway director and one of the prodigies of the golden age of television. His innovative handling of the story of two Depression-era outlaws not only challenged Hollywood's strict censorship code, it shook the foundation of studio system itself and ushered in the film revolution. His next films -- Alice's Restaurant (1969), Little Big Man (1970), and Night Moves (1975) -- became instant classics, summoning emotions from shock to sensuality and from confusion to horror, all of which reflected the complexity of the man behind the camera. The personal and creative odyssey captured in these pages includes memorable adventures in World War II; the chaotic days of live television; the emergence of Method acting in Hollywood; and experiences with Marlon Brando, Anne Bancroft, Warren Beatty, William Gibson, Lillian Hellman, and a host of other show business legends.
Within this volume lie the complete Steampunk short stories of Professor Langdon St. Ives, Victorian adventurer, written by avowed Steampunk Legend, James P. Blaylock. St. Ives, traveler through time and space and an often misunderstood member of the Explorers Club and the Royal Society, has trodden the foggy London streets and Thames-side alleyways for decades, caught up in near-death adventures in pursuit of nefarious villains and obscure knowledge. In the pages of this chronicle, the intrepid Professor and his stalwart friends face down strange enemies and avert catastrophes that the world scarcely knows exist, finding themselves stalked through the idol-infested jungles of Borneo, set adrift in the starlit reaches of outer space, plunged into the infamous “barrel madness” that descended upon London in the late 18th century, and wandering in a past-and-future age when they stumble upon a time portal in the midst of ancient standing stones in the idyllic Kent countryside. World Fantasy Award winning author James Blaylock, one of the pioneers of the Steampunk genre along with Tim Powers and K.W. Jeter, has written more than 25 novels as well as scores of short stories, essays, and articles. His Steampunk novel Homunculus won the Philip K. Dick Memorial Award, and his short story “The Ape-box Affair,” published in Unearth magazine in 1978, was the first contemporary Steampunk story published in the U.S. His recent Steampunk works include The Aylesford Skull, Beneath London, River’s Edge, and The Gobblin’ Society. Praise for James P. Blaylock: “A singular American fabulist.” —William Gibson “Blaylock is a magician!” —Michael Swanwick “Blaylock’s prose is so rich it literally sings!” —Charles de Lint “Blaylock is better than anyone else at showing us the magic that secretly animates our world...” —Tim Powers “While many recent novels have picked up the steampunk banner, this one fully delivers, offering action, farce, tender relationships, and prose full of genuine Victorian cadence and flavor.” —Publishers Weekly on The Affair of the Chalk Cliffs “St. Ives has to be one of the most fleshed out Victorian characters ever written, and I m sincerely hoping that Blaylock isn t finished with this scientist adventurer. The Aylesford Skull can easily stand alone without any knowledge of Blaylock s previous steampunk stories, but you’ll want to hunt down additional St. Ives tales, I’m for certain.” —Wired.com “Blaylock throws in all the furniture of the genre: derring-do and cliffhangers, a vivid portrayal of Victorian London, a gallery of grotesque characters and the obligatory airship, but the strength of the novel is his rendering of St Ives caught between his love of the chase and his commitment to family.” —The Guardian
Cumberland Posey began his career in 1911 playing outfield for the Homestead Grays, a local black team in his Pennsylvania hometown. He soon became the squad's driving force as they dominated semi-pro ball in the Pittsburgh area. By the late 1930s the Grays were at the top of the Negro Leagues with nine straight pennant wins. Posey was also a League officer; he served 13 years as the first black member of the Homestead school board; and he wrote an outspoken sports column for the African American weekly, the Pittsburgh Courier. He was regarded as one of the best black basketball players in the East; he was the organizer of a team that held the consensus national black championship five years running. Ten years after his induction into the National Baseball Hall of Fame, he became a member of the Naismith Memorial Basketball Hall of Fame--one of only two athletes to be honored by two pro sports halls.
In The History of Music Production, Richard James Burgess draws on his experience as a producer, musician, and author. Beginning in 1860 with the first known recording of an acoustic sound and moving forward chronologically, Burgess charts the highs and lows of the industry throughout the decades and concludes with a discussion on the present state of music production. Throughout, he tells the story of the music producer as both artist and professional, including biographical sketches of key figures in the history of the industry, including Fred Gaisberg, Phil Spector, and Dr. Dre. Burgess argues that while technology has defined the nature of music production, the drive toward greater control over the process, end result, and overall artistry come from producers. The result is a deeply knowledgeable book that sketches a critical path in the evolution of the field, and analyzes the impact that recording and disseminative technologies have had on music production. A key and handy reference book for students and scholars alike, it stands as an ideal companion to Burgess's noted, multi-edition book The Art of Music Production.
From 1973 to 1987, Fright Night was a fixture of the late Saturday evening schedule on independent New York television station WOR-TV. A genre fan's nightmare come true, the modestly produced showcase featured horror films both classic and obscure, from Universal's Frankenstein series to such lesser-known delights as Beast of Blood and The Living Coffin. Fright Night suffered no delusions of grandeur and never claimed to be anything more than what it was: great entertainment on a Saturday night. This thorough if affectionate tribute to Fright Night's glory days includes a complete listing of all films shown on the series, as well as discussion of WOR-TV's other horror movie programs from the 1970s and 1980s. Also featured are interviews with the major surviving players, including Fright Night creator Lawrence P. Casey.
Essex, one the largest counties of England, stretches from the suburban fringes of East London to the fishing and sailing ports of Harwich and Maldon and the famous seaside resorts of Clacton, Frinton, and Southend. Its buildings encompass rich Roman survivals, powerful Norman architecture, and the remains of major Tudor and Jacobean country houses. Essex is first and foremost a county famed for its timber buildings, from the eleventh-century church at Greensted to the early and mighty barns at Cressing Temple, and a wealth of timber-framed medieval houses. Later periods have also made their contribution, from Georgian town houses to Victorian and Edwardian industrial and civic buildings, and from important exemplars of early Modern Movement architecture to the major monument of High Tech at Stansted Airport.
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